LARRY E. SCHULTZ
  • Congregational Music
    • Downloadable Congregational Music >
      • Hymns
      • Songs
      • Collections
    • Published Congregational Music
    • Downloadable Hymn Enhancements
  • Choral Music
    • Downloadable Choral Music (Church) >
      • Anthems >
        • Unison, Two-Part & Mixed
        • SATB
      • Service Music
      • Hymn Enhancements
    • Published Choral Music (Church)
    • Downloadable Choral Music (School & Community) >
      • Unison, Two-Part & Mixed
      • SATB
    • Published Choral Music (School & Community)
    • Downloadable Vocal Exercises
  • Instrumental Music
    • Downloadable Instrumental Music (Church) >
      • Digital Recordings
      • Hymn Accompaniments
      • Hymn Obbligatos
    • Downloadable Instrumental Music (School & Community)
  • Vocal Solos/Duets
  • Music Instruction
    • Piano Lessons
    • Voice Lessons
    • Composition Lessons
    • Music Theory Instruction
    • Sight-Singing/Ear Training
    • Student Page
  • Resonate! (Blog)
  • About Larry
    • Minister
    • Composer
    • Hymn Writer
    • Teacher
    • Commissions, Awards & Collaborators
    • Music Typesetting
Picture
a Blog related to
​Communal Music

With a Heart Open to All

6/25/2026

 
​I'm proud of my colleague, Nancy Petty, whose groundbreaking ministry with Pullen Memorial Baptist Church, Raleigh, North Carolina, is life-giving to people around the world. Since 2001, I’ve been grateful for our long and collaborative work as Pastor and Minister of Music. Several times our collaboration has resulted in music for worship.
Picture
One day in 2017, Nancy excitedly came into my office to share the words and melody of a short communion song she had created:

​As we come to the table of Love,
as we come to the table of Love,
we come with a heart open to all,

as we come to the table of Love.
​
In worship, Nancy’s pastoral call to the table always included the exclamation “All are welcome!” but a line in her new song clarified further: “…we come with a heart open to all.” With this single statement she expressed that no dogma or doctrine, spiritual experience, or age limit were requirements – that people of all faiths or none were sincerely invited to the table of Love - and that those who come must include others who are different from them.

Informed by her interfaith relationships, and inspired by the House of One in Berlin, Germany (an interfaith structure that houses a church, synagogue, and mosque under one roof), Nancy’s song symbolically and literally identified the communion table as a gathering place for everyone. By naming it a "table of Love," rather than using a specific divine or religious name, Nancy ensured that the song's language would not limit the unrestricted welcome she wished to convey. All who live in Love, whether through a lens of faith or morality, can gather at this table, and rally around its inclusive meaning.

While the song was fresh in her mind and voice, I transcribed the text as Nancy sang the tune into my phone's voice recorder. After harmonizing the melody and arranging a keyboard accompaniment, we taught the easy-to-learn refrain to our congregation, singing it as we moved to the table.

As I continued to reflect on the implications of Nancy’s refrain, two stanzas emerged:

Stanza 1: 
What is required to come to this table?
Who is allowed to share in its feast?
There is no limit, no hindrance, no boundary.
No one is labeled "most honored" or "least."
 

​Stanza 2:
Living as one, we join 'round this table.
Giving to all, we offer its feast.
Ever embracing, and never rejecting,

we keep this table a table of peace.
As We Come to the Table of Love may be sung as a short refrain or as a hymn with stanzas that may include a harmonic descant offered by choirs or instrumentalists. In addition to worship communion, it can also be sung around banquet tables at other meals. 

May this song of simplicity and depth encourage gatherings of Love with open hearts!

Recording and Preview Score: 
As We Come to the Table of Love may be purchased as an individual song for ONE LICENSE usage or with a Single-Use License. 
It 
is also contained in the song collections: Earth Transformed with Music!: Inclusive Songs for Worship (Refrain only) or Inclusive Songs for Resistance & Social Action (with Stanzas, Refrain & Descant). 

As We Come to the Table of Love [ONE LICENSE]

View

As We Come to the Table of Love [Single-Use License]

View

Earth Transformed with Music! Inclusive Songs for Worship [Digital Download]

View

Inclusive Songs for Resistance & Social Action [Digital Download]

View

A Journey Toward Oneness

1/30/2020

 
​I’m grateful to live and work among people that respect religious plurality and to be minister of music for a congregation that celebrates it![1] This is a different experience from my upbringing in Southern Baptist churches that, except for the occasional Thanksgiving community service, did not emphasize ecumenism and certainly did not encourage the support of other religions. In high school, I remember studying a denominational pamphlet that denied the validity of other faiths by providing scriptural defense for Christianity as the only true religion. My eyes were opened to this kind of isolationism when my Western Civilization professor at Oklahoma Baptist University bravely exposed the egotism involved in Southern Baptists’ “Bold Mission Thrust,” a campaign in the last quarter of the 20th century to evangelize the world without cooperative work with other denominations. Though I appreciate and value many aspects of my early church experience, it did not teach that Christianity, nor even its various denominations, could “coexist” as the contemporary art piece and bumper sticker expresses.

This insecurity of the Christian religion was demonstrated further in several ways during my youth. In church youth group, I remember seeing horrific movies that graphically warned of apocalyptic “anti-Christs” and “marks of the Beast,”[2] and singing popular “Christian” songs, such as “I Wish We’d All Been Ready,”[3] or “Oh Buddha,”[4] that sought to scare “the hell” out of us. All of these promoted a strict Christianity-only message as they traumatized us to think that we would be “left behind” and sent to a fiery pit if we didn’t believe in Jesus as the only way. Even more, one had to have the right kind of Christian experience in order to get to heaven. A revival evangelist at my church once shamefully exclaimed that many of our Christian experiences were “counterfeit,” causing my adolescent emotions to go wild and my teenage mind to fear.

Thankfully, the guidance of my parents and the wisdom they provided navigated these disgraceful and potentially harmful church experiences, allowing me to healthfully continue exploring faith while asking questions along the way. Through continued education I came to understand that Christianity is only one of countless other faith expressions (and that Christianity itself is interpreted and practiced in unbelievably diverse and conflicting ways). I came to know that some persons of faith – Christian or otherwise – rely on a divine being or beings while others live deeply meaningful lives apart from belief in any Gods. And those that do express confidence in a supreme being or beings, understand and name those divinities in myriad ways.

People in our country and all over the world express their best humanity and highest values in ways worthy of honor. Some express them through religion and others do not. The Jesus I grew to envision would have no problem with this, and even more, would call diverse peoples to recognize similarities and celebrate differences while working together to create a loving and just world. If the world’s peoples could ever achieve peace, the Jesus I imagine would not mind if his name was a part of that result or not. I think this is what Episcopal bishop, John Shelby Spong, means (as referenced in my first blog post) when he encourages us to walk so deeply through our own tradition and into our humanity that tribal boundaries disappear.[5] And I think this is what minister, Gretta Vosper, of the brave West Hill United Church, Toronto, Canada, means when she exclaims “the way we live is more important than what we believe.”[6]
​
As ever-evolving 21st century people, while living our most authentic selves, can we transcend our own limited experience, find relevance in our work and become one with all? ​I think we must.

(One of my congregational songs that supports religious plurality is Where Is the Sacred?)

[1] ​Pullen Memorial Baptist Church’s 125th Anniversary hymn, “In Our Own Voice (Raise Up New Hope)” by Shirley Erena Murray & Larry E. Schultz describes the congregation as one that sees “in other faiths enduring worth.” The hymn is published in Murray’s collection: A Place at the Table (Hope Publishing Company, 2013).
[2] A Thief in the Night film series written by Russell S. Doughten, Jr., Jim Grant, Donald W. Thompson.
[3] Song by Larry Norman, recorded by various artists and included in the A Thief in the Night film series as well as the more recent Left Behind movie.
[4] Song by Mark Farrow recorded by The Imperials on the album: Heed the Call (DaySpring Records, 1979).
[5] See A New Christianity for a New World: Why Traditional Faith is Dying & How a New Faith Is Being Born (HarperCollins Publishers, 2001) and other books, essays and lectures by John Shelby Spong.
[6] From the subtitle and content in Gretta Vosper’s book, With or Without God: Why the Way We Live Is More Important than What We Believe (HarperCollins Publishers, 2008).

    Author

    Larry E. Schultz is a Minister of Music, Composer, Hymn Writer, and Music Teacher.

    Archives

    August 2026
    July 2026
    June 2026
    July 2025
    June 2025
    April 2025
    July 2023
    June 2023
    May 2023
    April 2023
    March 2023
    July 2021
    January 2020
    August 2019

    Categories

    All
    Anthems
    Arranging
    Baptism
    Biographical
    Children's Choirs
    Choral Music
    Collaboration
    Communion
    Community Choirs
    Composition
    Congregational Song
    Education
    Hymns
    Hymn Writing
    Indeterminate Music
    Interfaith
    Middle School Choirs
    Music Ministry
    Music Notation
    Philosophy
    Piano Music
    Pluralism
    Religion
    School
    Science
    Technology
    Theology
    Tribute
    Worship

    RSS Feed

Copyright 2026 Larry E. Schultz. All rights reserved.
  • Congregational Music
    • Downloadable Congregational Music >
      • Hymns
      • Songs
      • Collections
    • Published Congregational Music
    • Downloadable Hymn Enhancements
  • Choral Music
    • Downloadable Choral Music (Church) >
      • Anthems >
        • Unison, Two-Part & Mixed
        • SATB
      • Service Music
      • Hymn Enhancements
    • Published Choral Music (Church)
    • Downloadable Choral Music (School & Community) >
      • Unison, Two-Part & Mixed
      • SATB
    • Published Choral Music (School & Community)
    • Downloadable Vocal Exercises
  • Instrumental Music
    • Downloadable Instrumental Music (Church) >
      • Digital Recordings
      • Hymn Accompaniments
      • Hymn Obbligatos
    • Downloadable Instrumental Music (School & Community)
  • Vocal Solos/Duets
  • Music Instruction
    • Piano Lessons
    • Voice Lessons
    • Composition Lessons
    • Music Theory Instruction
    • Sight-Singing/Ear Training
    • Student Page
  • Resonate! (Blog)
  • About Larry
    • Minister
    • Composer
    • Hymn Writer
    • Teacher
    • Commissions, Awards & Collaborators
    • Music Typesetting